[권동철의 화가탐방]단색화가 신기옥⑩‥단색화가 최명영 개인전 2019년, 서승원, 박석원, 박서보 선생, 단색화가 신기옥, Shin Ki Ock Dansaekhwa, 신기옥 작가, 신기옥 화백.

 

왼쪽부터 서승원, 박석원, 박서보 선생, 최명영, 신기옥. 최명영 작품 앞에서. 사진제공=신기옥. 


2019년 더 페이지 갤러리 최명영 작가 개인전 때 최명영 작품 앞에서. 왼쪽부터 서승원, 박석원, 박서보 선생, 최명영, 신기옥.


[대담=권동철, 신기옥 판교작업실, 2024. 6.]

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[Ruthie Tucker, Executive Director–Curator] RYU YOUNG SIN ‘Forest-Divine’ series…Innovative approach to documenting the temporal beauty of nature

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  (left)Forest-Divine No150, 131 × 131 cm, Mixed media, 2022 ⓒ ADAGP. (right) Gallery LAMER exhibition view 2023. Photo=Kwon Dong-chul. Hans Hofmann mused, “ Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates а spiritual contact with nature and his materials; third, the medium of expression  through which the artist translates his inner world. ”   Following this credo, Korean artist Ryu Youngsin's abstracted expressionist style illustrates the power and beauty of nature. Focusing on vivid color and integrated texture, her mixed media paintings evoke the visceral power of nature. Impressed and fascinated by the landscape and its elements, Ms. Youngsin's dazzling compositions pulsate with an emotional bravura and are passionate reflections revealing her personal perceptions of nature.   Forest-Divine No149, 130×130 ㎝ , Mixed media, 2022 ⓒADAGP. Rather than re-creating a landscape o
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[Robert C. Morgan, Art Critic] South Korea Painter Ryu Youngsin‥Black Hole Paintings

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  Forest-Black hole No43, 60.6×60.6 ㎝ Mixed media, 2016. ⓒADAGP Since I wrote a review on the work of Ryu Young Sin a year ago, her paintings have continued to evolve.  By evolving I mean they have become more open and free in their exploration of experimental form. They are not in the same place they once were. From a critical point of view, I find a certain pleasure in what Ryu is doing today, specifically in a series called Forest – Black Hole.   These paintings suggest they are the work of an artist emerging from the cocoon of her past. Even if the style and subject matter of these paintings look the same, they are not. While there are always traces or resemblances that make us believe one painting is the same as another, this is rarely if ever the case (unless, of course, it is made intentional).     Forest-Black hole No26, 53×53 ㎝ , Mixed media, 2015. ⓒADAGP For example, if one carefully studies the work of the mid-twentieth century Italian painter Giorgio Morandi, his pai
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[Robert C. Morgan, Art Critic] South Korea Painter Ryu Youngsin‥Visual Rhythms from a Forest of Birch

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  (left) Into the forest-19, 91.0 × 116.5 ㎝ Oil on canvas, 2012. (right) Into the forest-When it snows, 103.3 × 130.3 ㎝ Oil on canvas, 2010. Youngsin Ryu is a highly accomplished contemporary painter who for the past five years has focused her attention on representing the formal elegance of birch trees. Like many Korean painters, her point of view is to envision forms in nature that contain the Qi or quiet energy. She discovered the natural movements ofthe trunks, branches, and leaves of these vibrant trees while observing the effect of breezes blowing through the forest glade.   Inspired by what she saw, Youngsin Ryu chose to transform this rhythmic sensation into an epic of wonderment through the art of painting.   It is precisely this sense of wonder that intrigued the artist, thus giving   the artist a necessary focus by which to concentrate and transform her perceptions of nature through her lingering experience in the birch forest.   Why birch tress?   They are strong,
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