[전시]서양화가 류영신 초대전, 세종뮤지엄갤러리, 3월27~4월7일[류영신 작가,RYU YOUNG SIN,Sejong Museum Gallery]

 

Forest-Divine No305, 131×131㎝, Mixed media, 2024. ⓒADAGP


숲 형상성에 대한 독자적 조형성을 구현하고 있는 류영신 작가 초대전이 3월27일부터 4월7일까지 서울광진구 능동로 세종대학교, ‘세종뮤지엄갤러리(Sejong Museum Gallery)’에서 열린다.

 

Forest-Divine No311, 72.7×72.7㎝, Mixed media, 2024. ⓒADAGP 


이번 전시는 ‘Forest-Black Hole’, ‘Forest-Divine’연작으로 구성, 조형세계의 확장을 지속적으로 선보이는 화업의 저력을 보여주고 있다. 원시적 자연계의 웅혼한 기운이 감도는 화폭은 관람자의 내면에 자리한 순수의식을 일깨워 청량한 호흡의 세계로 인도한다. 50호 이상 대작중심의 총60여점을 선보인다.

 

Forest-Divine No205, 91×91㎝, Mixed media, 2023. ⓒADAGP  


추상화면은 바람과 비와 풍화작용에 의한 억겁시간 흔적들이 장엄한 깊이감으로 펼쳐진다. 생성과 소멸의 나무와 줄기, 도도하게 물결치는 물의 흐름, 찰나에 허공을 뚫고 지나가는 소리의 여운 등 천변만화(千變萬化)하는 자연의 심원한 운율이 스미어 있다.

 

Forest-Divine No200, 162.5×130.5㎝, Mixed media, 2023. ⓒADAGP  


닥나무, 한지 등 순수한국재료와 서양의 물성을 융합한 류영신 작가 콜라주(Collage)기법은 인간과 자연의 조화를 지향했던 조선시대유교의 정신성, 천인합일(天人合一)철학과 맥(脈)이 닿아있기도 하다.

 

[글=권동철, 3월24일 2024. 인사이트코리아]

 

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[Ruthie Tucker, Executive Director–Curator] RYU YOUNG SIN ‘Forest-Divine’ series…Innovative approach to documenting the temporal beauty of nature

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  (left)Forest-Divine No150, 131 × 131 cm, Mixed media, 2022 ⓒ ADAGP. (right) Gallery LAMER exhibition view 2023. Photo=Kwon Dong-chul. Hans Hofmann mused, “ Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates а spiritual contact with nature and his materials; third, the medium of expression  through which the artist translates his inner world. ”   Following this credo, Korean artist Ryu Youngsin's abstracted expressionist style illustrates the power and beauty of nature. Focusing on vivid color and integrated texture, her mixed media paintings evoke the visceral power of nature. Impressed and fascinated by the landscape and its elements, Ms. Youngsin's dazzling compositions pulsate with an emotional bravura and are passionate reflections revealing her personal perceptions of nature.   Forest-Divine No149, 130×130 ㎝ , Mixed media, 2022 ⓒADAGP. Rather than re-creating a ...
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[Robert C. Morgan, Art Critic] South Korea Painter Ryu Youngsin‥Black Hole Paintings

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  Forest-Black hole No43, 60.6×60.6 ㎝ Mixed media, 2016. ⓒADAGP Since I wrote a review on the work of Ryu Young Sin a year ago, her paintings have continued to evolve.  By evolving I mean they have become more open and free in their exploration of experimental form. They are not in the same place they once were. From a critical point of view, I find a certain pleasure in what Ryu is doing today, specifically in a series called Forest – Black Hole.   These paintings suggest they are the work of an artist emerging from the cocoon of her past. Even if the style and subject matter of these paintings look the same, they are not. While there are always traces or resemblances that make us believe one painting is the same as another, this is rarely if ever the case (unless, of course, it is made intentional).     Forest-Black hole No26, 53×53 ㎝ , Mixed media, 2015. ⓒADAGP For example, if one carefully studies the work of the mid-twentieth century Italian painter ...
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[Robert C. Morgan, Art Critic] South Korea Painter Ryu Youngsin‥Visual Rhythms from a Forest of Birch

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  (left) Into the forest-19, 91.0 × 116.5 ㎝ Oil on canvas, 2012. (right) Into the forest-When it snows, 103.3 × 130.3 ㎝ Oil on canvas, 2010. Youngsin Ryu is a highly accomplished contemporary painter who for the past five years has focused her attention on representing the formal elegance of birch trees. Like many Korean painters, her point of view is to envision forms in nature that contain the Qi or quiet energy. She discovered the natural movements ofthe trunks, branches, and leaves of these vibrant trees while observing the effect of breezes blowing through the forest glade.   Inspired by what she saw, Youngsin Ryu chose to transform this rhythmic sensation into an epic of wonderment through the art of painting.   It is precisely this sense of wonder that intrigued the artist, thus giving   the artist a necessary focus by which to concentrate and transform her perceptions of nature through her lingering experience in the birch forest.   Why birch t...
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